Saraswathi Rockwood (1925 - 2011)
- ABOUT
- EXHIBITIONS
- BOOKS PUBLISHED
- WORKS
- EDUCATION
“Some of her works have traces of stoic draftsmanship of academic realism and others put forth an anxiety and overwhelming desire to free from such overtly disciplined nuances…Outspoken and bold in her expression, her collection of work reflects the restless, independent and eclectic nature of her persona.” Anoli Perera
Saraswathi Rockwood was a multifaceted artist whose contributions to painting and sculpture left an indelible mark on the country’s cultural landscape. From a young age, she displayed a keen interest in the arts, sketching animals, birds, and flowers with color pencils. Her artistic talents were nurtured under the guidance of Mudliyar A.C.G.S. Amarasekera, and she further honed her skills at the Heywood School of Art, specializing in sculpting and pastel drawing.
Rockwood’s artistic repertoire was diverse, encompassing oil and watercolor paintings, pastels, and sculptures. Her works often depicted figures from nature and mythology. She was particularly fond of pastels, a medium she believed was underrated, appreciating its freshness of color and immediacy. Her pastel portrait of Jean Pinto won first prize at an exhibition organized by the National Gallery, and her charcoal drawing of Mudliyar A.C.G.S. Amarasekera became part of the National Art Gallery’s permanent collection.
Her political cartoons had a defiant sense of satire, which spoke to the public via newspapers. In addition to her visual artistry, Rockwood was an accomplished violinist, having studied Carnatic music under Pandit S. Ratnaswami Aiyar, who bestowed upon her the name Saraswathi.
Sri Lanka’s Ministry of Cultural Affairs awarded her the title ‘Kalapathi in 1987 and ‘Chitrakala Abhimani’ in 2005 in recognition of her artistic contributions. Despite facing health challenges in her later years, she remained dedicated to her art, producing a 2011 calendar titled Trees, featuring black and white charcoal sketches of various Sri Lankan trees, accompanied by a poem celebrating nature’s beauty. Her legacy endures through her artworks, which continue to inspire and captivate audiences.
Solo Exhibitions
Year | Exhibition | Venue |
1951 |
| Colombo, Sri Lanka |
Group Exhibitions
Year | Exhibition | Venue |
2012 | Art for Sale | Casa Serena Art Gallery, Colombo, Sri Lanka. |
1996 | Group Exhibition with Gayatri Manchanda and Ouida Keuneman | Lionel Wendt Art Gallery, Colombo, Sri Lanka |
1967 | Group Exhibition with Thilake Abeysinghe, Donald Ramanayake and Visvalingam | Lionel Wendt Art Gallery, Colombo, Sri Lanka |
Publications
Year | Publication |
2021 | An Artist and a Sculptor. Daily Mirror, Colombo, Sri Lanka. 8th December 2021. |
2015 | Brush Strokes of Old Masters. Written by Tissa Hewavitarane. Colombo, Sri Lanka. (Book Chapter) |
2011 | An Artist and Friend, Her Home was Always Open to Me. Sunday Times, Colombo, Sri Lanka. 31st July 2011. |
2011 | The Stamp of Simplicity. Sunday Times, Colombo, Sri Lanka. 9th January 2011. |
2008 | Women Artists in Sri Lanka: Are They Carriers of a Woman’s Burden? Written by Anoli Perera. South Asia Journal of Culture, Volume 2, p. 57 – 89. |
Education
Year | Qualification | Institute |
Sculpting and Pastel Drawing | Heywood School of Art, Colombo, Sri Lanka. | |
Art | Atelier School of Art (the art school of Mudliyar A.C.G.S. Amarasekera), Colombo, Sri Lanka. |